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NYFF Review

UNDINE

Christian Petzold’s newest is a beguiling fairytale, replete with the director’s multifaceted interests.

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NYFF Review

THE SALT OF TEARS

Philippe Garrel’s career-long command of heartache and romantic pitfalls continues.

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NYFF Review

DAYS

Tsai Ming-liang eases back into narrative filmmaking with a formally audacious and tender feature.

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NYFF Review

MALMKROG

Cristi Puiu evokes the turn of the 20th century for a chamber piece of opaque intent and heavy conversation.

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Review

SCHEMERS

David McLean spins his autobiography with a good sense of fun and a heap of self-satisfaction.

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Review

TESLA

Michael Almereyda’s biopic of the mystery-shrouded inventor revels in the anachronistic appeal of cinema

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Review

BLOODY NOSE, EMPTY POCKETS

The Ross Brothers carefully construct an artificial environment, and let alcohol govern the flow

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Review

THE KING OF STATEN ISLAND

Writer-comedian Pete Davidson is given the signature Apatow treatment and the jokes occur more organically than ever

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Review

CAPONE

Josh Trank returns and hedges his bets on a signature Tom Hardy performance

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Review

LIBERTÉ

Albert Serra pushes cinematic limits, but the results fall short of aspired subversion