T Categories Criticism NYFF Patrick Preziosi The Salt of Tears interrogates the callowness of male youth with clear-eyed filmmaking The Salt of Tears (Philippe Garrel, 2020, France)
R Categories Criticism NYFF Patrick Preziosi Rigorous and free-flowing, Days locates tenderness in duration Days (Tsai Ming-liang, 2020, Taiwan)
M Categories Criticism NYFF Patrick Preziosi Malmkrog transcends the conventions of both the period drama and the conversation piece Malmkrog (Cristi Puiu, 2020, Romania)
W Categories Criticism Netflix NYFF Patrick Preziosi WASP NETWORK An atypical dud from Olivier Assayas, fascinating only for its flaws
P Categories Criticism NYFF Patrick Preziosi PARASITE Bong offers a rigorous class-system takedown disguised as a serpentine thriller
F Categories Criticism NYFF Patrick Preziosi FIRST COW Kelly Reichardt returns to the 19th century for an evocative portrait of enduring friendship
V Categories Criticism NYFF Patrick Preziosi VITALINA VARELA Pedro Costa continues to hone his craft in his most earthbound and ravishing film yet
A Categories Criticism Netflix NYFF Patrick Preziosi ATLANTICS Mati Diop’s Atlantics elevates a handspun ghost story to transcendent heights
S Categories Criticism NYFF Patrick Preziosi SYNONYMS Guided along by a combustible lead performance from Tom Mercier, Synonyms reveals the densely layered qualities of language
Y Categories Criticism NYFF Patrick Preziosi YOUNG AHMED The Dardenne Brothers churn out a greatest hits reel slapped with an unfortunate premise
