I Categories Conversations David G. Hughes Iain Robert Smith studies remakesploitation. "I remember being at a conference and one of the professors said that I’d be a really good scholar once I got over this cult stuff."
S Categories Conversations Savina Petkova Syllas Tzoumerkas ponders paradise. "The film creates a grey zone about justice and what is right and if there actually is a justice bestowed by God."
F Categories Conversations Teodosia Dobriyanova Fyodor Bondarchuk chooses a Russian spirit. "I'm trying to create something that has a national Russian flavour."
T Categories Conversations Manon Girault Tadhg O’Sullivan is pushing boundaries. "I have long wanted to investigate the relationship between architecture, politics, and power."
A Categories Conversations Teodosia Dobriyanova Alex Barrett is a nostalgist at heart. "I do think that the 1920s was probably the best moment for cinema; it was a great moment of creativity and experimentation."
J Categories Conversations David G. Hughes Jesse V. Johnson is blowing up. "That was the point at which my director changed. You come out of that experience and you realise there’s more to directing a film than a schedule."
M Categories Conversations Teodosia Dobriyanova Maya Vitkova turns pain into humour. "Making a film takes years of your life, so you’d better believe in your story and feel attached to it."
P Categories Conversations David G. Hughes Paul Sng tackles dispossession. "Images and words can inspire change, but they can't achieve it."
S Categories Conversations Teodosia Dobriyanova Stella Corradi is a soldier for change. "There were things I experienced on film sets as an assistant that I didn't want repeated on my set."
