S Categories BFI LFF Criticism Max Redmond Smith SAUVAGE Sauvage reminds the spectator of the dazzling constellation of sex and sexuality
C Categories Conversations Max Redmond Smith Camille Vidal-Naquet and Félix Maritaud want us to feel. "I think it’s amazing to take some people, and take them to a world of fiction, and to make them feel something that has no existence, and to create humanity."
K Categories Criticism MUBI Max Redmond Smith KNIFE + HEART A thrilling pseudo-pornographic crime giallo
S Categories BFI LFF Criticism Max Redmond Smith SCHOOL’S OUT Sub-par French thriller explores playground extremism
D Categories Criticism Max Redmond Smith DOWNSIZING Stereotypes, gross humour and lazy writing make this an insignificant comedy
T Categories BFI LFF Criticism Max Redmond Smith THELMA A philosophically ambitious feast for the senses
T Categories BFI LFF Criticism Max Redmond Smith THE SHAPE OF WATER A commentary on the depth of connection that can exist should we be willing to take the plunge
G Categories Criticism Max Redmond Smith GOD’S OWN COUNTRY A touching portrait of juvenile isolation and one of the best romances in recent years
B Categories Criticism Max Redmond Smith BABY DRIVER Highly entertaining heist thriller doesn't quite break the speed limit
L Categories Criticism Max Redmond Smith LOGAN LUCKY Lazy humour and poor treatment marks a forgettable comedy from Steven Soderbergh
M Categories Criticism Max Redmond Smith MY COUSIN RACHEL Slow-burning, enigmatic thriller doesn't fully come together
A Categories Criticism Max Redmond Smith ALIEN: COVENANT Vapid, limp and needless addition to the franchise
